(s/n 50xxx to 110xxx)
Models
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Information |
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The HN White Company was formed in 1893 as a music publishing house and instrument repair company. Mr. [Henderson] N. White collaborated with the well-known trombonist, Thomas King, at first improving the design and production of trombones, and ultimately White manufactured his own line, the KING line of trombones. The success of this initial venture into instrument manufacturing extended to the other brass instruments, all with the KING trademark which served as a symbol of avowed superiority and leadership. Settling into new headquarters in 1909 at Superior Avenue & 52nd Street [in Cleveland, Ohio], the HN White Company began producing a respected line of brass instruments. At first the company did not manufacture its own saxophones, but sold imported brands. As early as 1908, the company began importing the Evette & Schaeffer (Buffet) saxophones to serve as less expensive competitors to American-made Conns and Bueschers. After Carl Fischer of New York obtained the [sole] importing rights to the Evette & Schaeffer (Buffet) instruments in 1910, HN White began importing V. Kohlert saxophones [-- a practice that would be revived in the 1960's with the King Lemaire student horn]. They offered five models: straight and curved ("... an improved model with the bell bent up!") Bb soprano, Eb alto, Bb tenor and Eb baritone. In 1916 [around
s/n 55,000], responding to the rising popularity of the saxophone, the
HN White Company began producing their own "King" model saxophone
(1).
[Around] 1924 [or 1926 (2)], King revamped their saxophone lines with the introduction of the New Series horns, and the King line was expanded to eight instruments: C soprano, straight and curved Bb sopranos, Bb saxello, Eb alto, C Melody tenor, Bb tenor and Eb baritone. These instruments continued many of the features of the previous King instruments, such as braised rather than drawn tone holes, and featured a front F key [on alto and Bb tenor], a wider G sharp key, and an improved octave key. This mechanism, designed for King by Henry Dreves (US Patent 1549911, granted August 18, 1925) was an attempt to eliminate the hissing that often occurs between high G and high A. In this system, the tube of the neck octave pip was slanted, and the point of pad contact was rounded to better seal against a pad with a concave surface. Additional engraving, hand burnished gold finishes, and nickel plating also became available. Some of the engraving found on King horns of this era is spectacular! The famous King Saxello was introduced in September, 1924, in an attempt to address problems associated with the straight and curved soprano horns of the time. In his patent application (U.S. Patent 1549101, granted November 2, 1926), Henry Dreves describes the curved soprano as being problematic in the bow area and uncomfortable to play. He further states that the straight soprano is acoustically superior, but is also uncomfortable in its playing position. His solution was a curved neck and a bell tipped at a right angle on a straight soprano. No tone holes were present on the bell, and only the upper octave pip was present on the neck. The instrument could be played on a neckstrap, rested on the players leg, or with an optional (and very rare!) V shaped stand [not to be confused with the other kind of stand] (3). Technical
Notes: Available Finishes (from a 1926 Catalog): ================= FOOTNOTES: For reprints, please see the Dorn Publications website. To get Dr. Cohen's other products, please go to the To the Fore Publishers website. 2. This date is different for both Dr. Cohen's and Mr. Goodson's articles. Because serial number charts tend to look at a span of 5 to 15 years for horns this old (see Lars Kirsmer's list), either could be accurate. I can say that horns both pre- and post-1925 look practically identical, so I'd say that the most accurate statement is that you should check for the octave mechanism that Mr. Goodson indicates (I don't have good enough close ups), as occasionally the patent number/date shows up on horns without this feature -- and instruments with serials from 1923-1925 could be old stock. 3. Thanks to Steve Goodson who has again allowed me to copy from his King history article from Sax-on-the-Web (the BROWN text). As always, my additions are in BLACK text or in brackets. |
Curved
Bb Soprano |
Straight
Bb Soprano |
Bb
Tenor |
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Saxello
Bb Soprano |
s/n
68xxx From eBay.com Picture Directories Patent Drawings (*.tif files) Vintage Ads Lacquer (Brass) Silver Two-Tone Gold |
C
Soprano |
C
Melody Tenor |
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Eb
Alto |
Eb
Baritone |
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Eb
Alto "Artist" (King De Luxe) Models |
These horns are elaborately engraved models with additional pearl keytouches on the side keys, similar to the Conn New Wonder "Virtuoso Deluxe" horns. In other words, these are extremely rare custom horns. As far as I know, these horns were probably available in the same choice of platings as other HN White saxophones from this era, with the addition of a full-body gold wash (which was also found on some Conns). |
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